ANT’s main feature is its focus on inanimate entities and their effect on social processes. An actor is thus defined as the ”source of an action regardless of its status as a human or non-human”; this is a radical notion in that it contests that inanimate things (e.g. such as technology) can also have agency. An actor can however only act in combination with other actors and in constellations that give the actor the possibility to act - this is because reality is assumed to be actively performed by various actors in a particular time and place [8, 13, 15, 16]. Thus inherent to ANT is a move away from the idea that technology impacts on humans as an external force, to the view that technology emerged from social interests (e.g. economic, professional) and that it thus has the potential to shape social interactions. (Cresswell, Worth, and Sheikh 2010)