Acknowledgment
We thank Lola, Rex and Vanessa Greeno for sharing their knowledge of the
impacts of pollution on their art and culture. Thank you to Animate Your
Science, JB Creative Services and Annie Gatenby for assistance with the
graphical aspects of this project. Thank you to Rupert the Boxer puppy
for deciding authorship order. This paper is part of the ‘Future Seas’
initiative
(www.FutureSeas2030.org), hosted
by the Centre for Marine Socioecology at the University of Tasmania.
This initiative delivers a series of journal articles addressing key
challenges for the UN International Decade of Ocean Science for
Sustainable Development 2021-2030. The general concepts and methods
applied in many of these papers were developed in large collaborative
workshops involving more participants than listed as co-authors here,
and we are grateful for their collective input. Funding for Future Seas
was provided by the Centre for Marine Socioecology, IMAS, MENZIES and
the College of Arts, Law and Education, the College of Science and
Engineering at UTAS, and Snowchange from Finland. We acknowledge support
from a Research Enhancement Program grant from the DVCR Office at UTAS.
Thank you to Camilla Novaglio for providing an internal project review
of an earlier draft, and to X anonymous reviewers for improving the
manuscript. We acknowledge and pay respect to the traditional owners and
custodians of sea country all around the world, and recognise their
collective wisdom and knowledge of our Ocean and coasts.