Acknowledgment
We thank Lola, Rex and Vanessa Greeno for sharing their knowledge of the impacts of pollution on their art and culture. Thank you to Animate Your Science, JB Creative Services and Annie Gatenby for assistance with the graphical aspects of this project. Thank you to Rupert the Boxer puppy for deciding authorship order. This paper is part of the ‘Future Seas’ initiative (www.FutureSeas2030.org), hosted by the Centre for Marine Socioecology at the University of Tasmania. This initiative delivers a series of journal articles addressing key challenges for the UN International Decade of Ocean Science for Sustainable Development 2021-2030. The general concepts and methods applied in many of these papers were developed in large collaborative workshops involving more participants than listed as co-authors here, and we are grateful for their collective input. Funding for Future Seas was provided by the Centre for Marine Socioecology, IMAS, MENZIES and the College of Arts, Law and Education, the College of Science and Engineering at UTAS, and Snowchange from Finland. We acknowledge support from a Research Enhancement Program grant from the DVCR Office at UTAS. Thank you to Camilla Novaglio for providing an internal project review of an earlier draft, and to X anonymous reviewers for improving the manuscript. We acknowledge and pay respect to the traditional owners and custodians of sea country all around the world, and recognise their collective wisdom and knowledge of our Ocean and coasts.